Jodha Akbar Jodha Akbar – Streams
Jodha Akbar ist eine indische historische Fernsehserie, die am Juni im Zee TV Premiere hatte. Die Show wurde von Ekta Kapoor unter Balaji Telefilms produziert. Es spielte Rajat Tokas und Paridhi Sharma in Hauptrollen. Jodha Akbar: Bollywood-Serie über eine Liebe, die Kulturen und Religionen überwindet. Im Jahrhundert herrscht Großmogul Jalaluddin Akbar (Rajat Tokas). Jodhaa Akbar (Hindi: जोधा-अकबर, Urdu: جودھا اکبر) ist ein Bollywood-Film von Ashutosh Gowariker aus dem Jahr In Indien lief der Film am isotopes-conference.eu - Kaufen Sie Jodha Akbar - Die Prinzessin und der Mogul - Box 1/Folge günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Find JODHA AKBAR-DIE PRINZESSI - MO [DVD] at isotopes-conference.eu Movies & TV, home of thousands of titles on DVD and Blu-ray. Über Filme auf DVD bei Thalia ✓»Jodha Akbar - Die Prinzessin und der Mogul (Box 14) (Folge ) [3 DVDs]«und weitere DVD Filme jetzt online. Ausgewählte Artikel zu 'jodha akbar box 19' jetzt im großen Sortiment von isotopes-conference.eu entdecken. Sicheres und geprüftes Online-Shopping mit isotopes-conference.eu.
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Folge 7. Folge 7 - Episode 7. Folge 8. Folge 8 - Episode 8. Folge 9. Folge 9 - Episode 9. Folge Folge 10 - Episode Folge 11 - Episode Folge 12 - Episode Folge 13 - Episode Folge 14 - Episode Folge 15 - Episode Folge 16 - Episode Folge 17 - Episode Folge 18 - Episode Folge 19 - Episode Folge 20 - Episode Folge 21 - Episode Folge 22 - Episode Folge 23 - Episode Folge 24 - Episode Folge 25 - Episode Folge 26 - Episode Folge 27 - Episode Folge 28 - Episode Folge 29 - Episode Folge 30 - Episode Folge 31 - Episode Folge 32 - Episode Folge 33 - Episode Folge 34 - Episode Folge 35 - Episode Jalal says to Mehtab that i am proud of you.
Jodha is in her room, she is writing down the work that is left, she sleeps. Jodha is sleeping and see a dream in which Jalal is saying that why she was punished for my deeds, why?
Jodha says i saw a dream in which you were saying that dont give punishment to her for my deeds and then you banged your head to wall, Jalal says dont worry, i am with you, you are tired thats why seeing these dreams, i will make you sleep, Jodha lies her head in his lap, some lady comes there, Jalal hides, lady says i need some medicine, Jodha gives it to her, lady leaves, Jalal comes out, Jodha ask him to leave, Jalal says dont think about dream, take rest, he leaves.
Jodha is serving food to people, lady finds Ruks and ask her to work, Ruks sit to eat food, lady ask her to serve people instead of eating, she gives roties to Ruks and ask her to give to all, Ruks nods and start giving roties to everyone, she sit again to eat but lady doesnt let her eat, one lady comes to Jodha and says you are called in open court, there is one case and you have to decide for it, Jodha leaves, Ruks goes behind her.
Jodha comes to court, she ask what happened, Jalal comes there, one lady says that Jalal is being alleged that in night, he left his tent and was roaming around tents of women, Jodha get tensed.
Jalal is silent, Jodha says he came to my tent, all are shocked, Jodha says he came to tell that his wife s having pain, he wanted to take medicine from me so he came my tent and took medicine from me, man sys okay we forgive him this time but dont do this kind of mistake again, Jalal says yes this will not happen again, he leaves, man says that he is lying something.
Shama is finding Haidar, she stops Birbal and introduces herself, Birbal says i am Birbal. Jalal is working, Jodha comes to him and ask him to work fast, she stealthily says that see you were about to get caught, Jalal says so shoul i stop meeting my wife?
Jalal wakes up in his tent and says why i am feeling hot suddenly, he comes out of his tent, he looks in sky, a strong light comes on earth from sky, Jalal is shocked, sky starts lightening, Jalal ask what is this, what miracle is this, he tries to touch the light but gets hurt, he says what is this thing, he finds other people not able to the light, Jalal ask what kind of storm is this?
Man says are you thinking yourself as king? Scene 3 Jalal is making food, he thinks that God took everything from me so i can see how people love, he made me learn how to work, how to earn food, now i will work hard, Jodha comes there and finds him working, other people are praising Jalal for his hard work, Jodha says to Jalal that leave the work, Jalal says i am common person, i will have to work hard to earn something and i have you with me to take care of me, Jodha smiles, head comes there and ask Jalal to make food fast, do you wife make food this much slow too?
Jalal says my wife make such a good food in palace, head says palace? Rahman composed the musical score. The soundtrack of the film was released on January 19, Upon release, it was a critical and commercial success.
Raja Bharmal announces that his son Bhagwant Das would be his heir and Sujamal will have to work under him. Through this arrangement, Bharmal's nephew Sujamal, who is deprived of his rightful throne, angrily leaves the kingdom to join rebels.
When the Mughal Empire plans to attack Amer, Raja Bharmal reluctantly makes a peace offering, proposing to strengthen relations by his daughter's marriage to the emperor himself to avoid war.
Akbar agrees to the marriage, as it would bring forward a true strong alliance and long lasting peace between the Mughals and Rajputs. Jodhaa completely resents being reduced to a mere political pawn as she wants to marry Ratan Singh, a local Rajput prince.
She writes a letter to Sujamal, her brother, entreating him to come rescue her from the marriage, but she doesn't send it, though.
Jodhaa shares all her misery with her mother, who tells her to send a servant girl in her place. Jodhaa replies that it would deceive Akbar and would be death to their kingdom if he finds out.
Her mother gives her a vial of poison and tells her to use it if a need arises. Jodhaa demands a meeting with Akbar and demands to keep her Hindu religion after marriage, and that a temple be built for her to continue her faith, [10] with the intention of having the emperor call off the wedding.
To her surprise, Akbar agrees to all her demands. After their marriage, Jodhaa acts reluctant with Akbar and they do not consummate their marriage.
He assures Jodhaa that they will let things fall into place. Over time, both Jodhaa and Akbar learn from and gain admiration for each other.
Akbar's nurse and nanny, Maham Anga, whom he loves like his own mother, despises Jodhaa and conspires to humiliate her in front of Akbar. She finds the letter Jodhaa had written and has it sent, and when Sujamal comes to meet Jodhaa in private, she insinuates to Akbar that Jodhaa went to meet her lover.
Akbar sends his men to arrest Sujamal, who thinks Jodhaa has framed him, and immediately flees.
Akbar is enraged and banishes Jodhaa. Jodhaa doesn't give an explanation, indignant at her character being questioned. Later Akbar finds out the truth and goes to her maternal home, apologises to her, and asks her to come back, but she refuses.
He also finds out that she is skilled in fencing , and engages in a playful duel with Jodhaa, who tells him to investigate the working of his relations and empire.
Akbar returns and travels through the common folk in disguise to understand the problems of his people better.
Later, Akbar controls the dissents among the Hindus and Muslims by announcing that every religion has its rights in his empire. This impresses Jodhaa, who comes back to him.
Sujamal, Sharifuddin Hussain, and his allies attack Agra. After Sujamal overhears Sharifuddin plotting a silent attack on the emperor, he quickly leaves to warn Akbar of this conspiracy.
Shariffudin's army chases Sujamal and kills him. He manages to warn the emperor of the attack, however, who then realises what the past misunderstanding was concerning the letter.
Then he dies just after apologising to Jodhaa. Akbar defeats Sharifuddin in hand-to-hand combat, and then spares his life for the sake of his half-sister Bakshi Banu Begum , but not before stripping him of his title of Viceroy of Ajmer and Nagaur.
Eventually, Akbar proclaims that Hindustan will be a peaceful and prosperous land if people respect and honour each other's religions.
The film ends as the narrator recounts that Jodhaa and Akbar made history through their unconditional and eternal love for each other, but is forgotten.
Following the success of Lagaan , its director Ashutosh Gowariker was approached by actor and screenwriter Haidar Ali with the idea of making a film along the lines of K.
Asif 's historical epic , Mughal-e-Azam Ashutosh is the only director who could do justice to a film of such a level. In Lagaan , he touched on the issue of casteism, the oppressed class, Hindu-Muslim unity, communal harmony, team spirit, management and nationalism.
He weaved all this beautifully to make a hit film without preaching or lecturing. In the same way, I told him he could make a beautiful film by touching on such issues without preaching.
Gowariker had already finished his script for Swades when Ali pitched the idea. As a result, he decided to start his work with Ali after completing it.
In December , Ali began research on the marriage of princess Jodhabai , daughter of the Rajput ruler of Amer , Bharmal with the Mughal emperor Akbar , and prepared a basic story on the couple.
One month after Swades was released, Ali met Gowariker and handed to him the story. In March , Gowariker started work on the screenplay with Ali while denying speculations that Firoz A.
Nadiadwala and Subhash Ghai were producing the film. Saxena was hired to write the film's dialogues. Gowariker believed Roshan possessed the regal bearing and physique required to play the role of a king.
The role of Akbar's mother, Hamida Banu Begum , was first offered to Saira Banu , who declined citing family commitments as her reason.
Rahman , Javed Akhtar , Nitin Chandrakant Desai and Ballu Saluja were signed up as the music composer, lyricist for the songs, art director and editor respectively, thereby collaborating with Gowariker for the third time after Lagaan and Swades.
Neeta Lulla , who had earlier worked with Rai in Sanjay Leela Bhansali 's Devdas , was chosen to handle the film's costume designing.
This was because she had to design costumes not only for the lead actress, but for every cast member involved in the film. She schematically designed clothes by providing yellow, orange and red colours for the Rajputs and gold, brown and beige colours for the Mughals.
Keeping in mind the grandeur of the Mughal Empire during Akbar's time, Lulla used the Zardozi and Kundan types of embroidery for Roshan's and Rai's dresses.
The fabrics for designing the costumes as well as the shoes were bought from Delhi, Mumbai and Jaipur, while authentic embroidered Mojaris were used for footwear.
Lulla designed clothes of dark brown, black and green colours for the character of Sharifuddin Hussain after taking the characters' persona into consideration.
The jewellery used for the costumes were purchased from the jewellery brand company Tanishq. A team of craftsmen worked for days to fashion and mould jewels made of gold gemstones.
Around kilograms of jewels were used. Rai and Roshan wore thirteen and eight sets of jewels respectively throughout the film.
Rai later mentioned in subsequent interviews that the toughest part of playing her character was to wear the jewellery as she found them quite heavy to bedeck.
Dewan worked with Desai in designing the armour and ammunitions. The cannons were made of carbon fibre with iron inserted on the inner portions to make sure the cannonballs were fired smoothly.
The swords were initially made of both wood and fibre but were later made of lightweight carbon fibre due to the actors not being able to manoeuvre them easily.
Some of them would not be present the next day. As a result, Dewan placed the stuntmen in the front rows of both armies so as not to show how exhausted the villagers were.
Deohans employed six cameras to film the climax scene from different angles. After the completion of the first schedule of filming—which took in 60 days—by the end of December , the second schedule began on 8 January at Desai's ND Studios based in Karjat.
Using the photos as reference, he erected sets consisting of the inner portions of both places in his studio.
Filming could not take place entirely at the forts due to heavy traffic of tourists coming there everyday. Consequentially, only the outer portions of both the forts were filmed on the spot during the first schedule while the scenes featuring the inner portions were filmed at Karjat.
The entire set measured 1, feet long, feet wide and 68 feet high, which according to Desai was equivalent to "seven floors of a high-rise ".
Concrete , fibre and asbestos sheets were the materials used to create the interiors of the forts. The song "Azeem-O-Shaan Shahenshah", which was choreographed by Prakash, featured about 12 assistant choreographers, dancers and 2, extras acting as the citizens of Agra.
A total of 80 elephants, horses and 55 camels were employed throughout the entire film. Many of the events portrayed in the movie are based on real events.
- Erkunde sterntaler57s Pinnwand „Jodha Akbar“ auf Pinterest. Weitere Ideen zu Indische schauspielerinnen, Indisch, Schauspieler. Jodha Akbar - Die Prinzessin und der Mogul (Box 11, Folge ) [3 DVDs] von Santram Varma DVD bei isotopes-conference.eu bestellen. Gebraucht & günstig. Jodha Akbar - Die Prinzessin und der Mogul DVD - Jetzt reservieren und im Markt abholen oder direkt liefern lassen. Das Schicksal will es, dass Jodhaa und Akbar sich dennoch begegnen: Ein Moment, der den Grundstein für die schönste Romanze des Morgenlandes legt. Finden Sie perfekte Stock-Fotos zum Thema Jodha Akbar sowie redaktionelle Newsbilder von Getty Images. Wählen Sie aus 27 erstklassigen Inhalten zum.
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Jodha Akbar - Hindi Serial - Full Episode - 387 - Zee TV Show Folge 3 - Episode 3. Jalal is making food, Mehtab gives him water and ask if he will be able to do work, Jalal says no i will do it. Folge 34 - Episode To her surprise, Akbar agrees to all her demands. In the same way, Veronica Ferres Tochter told him he could make a beautiful film by touching on such issues without preaching. Cine Plus Entfernen 37 - Episode Archived from the original on 8 March Nadiadwala and Madame Claude Ghai were producing the film.
Akbar defeats Sharifuddin in hand-to-hand combat, and then spares his life for the sake of his half-sister Bakshi Banu Begum , but not before stripping him of his title of Viceroy of Ajmer and Nagaur.
Eventually, Akbar proclaims that Hindustan will be a peaceful and prosperous land if people respect and honour each other's religions.
The film ends as the narrator recounts that Jodhaa and Akbar made history through their unconditional and eternal love for each other, but is forgotten.
Following the success of Lagaan , its director Ashutosh Gowariker was approached by actor and screenwriter Haidar Ali with the idea of making a film along the lines of K.
Asif 's historical epic , Mughal-e-Azam Ashutosh is the only director who could do justice to a film of such a level.
In Lagaan , he touched on the issue of casteism, the oppressed class, Hindu-Muslim unity, communal harmony, team spirit, management and nationalism.
He weaved all this beautifully to make a hit film without preaching or lecturing. In the same way, I told him he could make a beautiful film by touching on such issues without preaching.
Gowariker had already finished his script for Swades when Ali pitched the idea. As a result, he decided to start his work with Ali after completing it.
In December , Ali began research on the marriage of princess Jodhabai , daughter of the Rajput ruler of Amer , Bharmal with the Mughal emperor Akbar , and prepared a basic story on the couple.
One month after Swades was released, Ali met Gowariker and handed to him the story. In March , Gowariker started work on the screenplay with Ali while denying speculations that Firoz A.
Nadiadwala and Subhash Ghai were producing the film. Saxena was hired to write the film's dialogues. Gowariker believed Roshan possessed the regal bearing and physique required to play the role of a king.
The role of Akbar's mother, Hamida Banu Begum , was first offered to Saira Banu , who declined citing family commitments as her reason.
Rahman , Javed Akhtar , Nitin Chandrakant Desai and Ballu Saluja were signed up as the music composer, lyricist for the songs, art director and editor respectively, thereby collaborating with Gowariker for the third time after Lagaan and Swades.
Neeta Lulla , who had earlier worked with Rai in Sanjay Leela Bhansali 's Devdas , was chosen to handle the film's costume designing.
This was because she had to design costumes not only for the lead actress, but for every cast member involved in the film. She schematically designed clothes by providing yellow, orange and red colours for the Rajputs and gold, brown and beige colours for the Mughals.
Keeping in mind the grandeur of the Mughal Empire during Akbar's time, Lulla used the Zardozi and Kundan types of embroidery for Roshan's and Rai's dresses.
The fabrics for designing the costumes as well as the shoes were bought from Delhi, Mumbai and Jaipur, while authentic embroidered Mojaris were used for footwear.
Lulla designed clothes of dark brown, black and green colours for the character of Sharifuddin Hussain after taking the characters' persona into consideration.
The jewellery used for the costumes were purchased from the jewellery brand company Tanishq. A team of craftsmen worked for days to fashion and mould jewels made of gold gemstones.
Around kilograms of jewels were used. Rai and Roshan wore thirteen and eight sets of jewels respectively throughout the film.
Rai later mentioned in subsequent interviews that the toughest part of playing her character was to wear the jewellery as she found them quite heavy to bedeck.
Dewan worked with Desai in designing the armour and ammunitions. The cannons were made of carbon fibre with iron inserted on the inner portions to make sure the cannonballs were fired smoothly.
The swords were initially made of both wood and fibre but were later made of lightweight carbon fibre due to the actors not being able to manoeuvre them easily.
Some of them would not be present the next day. As a result, Dewan placed the stuntmen in the front rows of both armies so as not to show how exhausted the villagers were.
Deohans employed six cameras to film the climax scene from different angles. After the completion of the first schedule of filming—which took in 60 days—by the end of December , the second schedule began on 8 January at Desai's ND Studios based in Karjat.
Using the photos as reference, he erected sets consisting of the inner portions of both places in his studio. Filming could not take place entirely at the forts due to heavy traffic of tourists coming there everyday.
Consequentially, only the outer portions of both the forts were filmed on the spot during the first schedule while the scenes featuring the inner portions were filmed at Karjat.
The entire set measured 1, feet long, feet wide and 68 feet high, which according to Desai was equivalent to "seven floors of a high-rise ".
Concrete , fibre and asbestos sheets were the materials used to create the interiors of the forts. The song "Azeem-O-Shaan Shahenshah", which was choreographed by Prakash, featured about 12 assistant choreographers, dancers and 2, extras acting as the citizens of Agra.
A total of 80 elephants, horses and 55 camels were employed throughout the entire film. Many of the events portrayed in the movie are based on real events.
Several historians claim that Akbar's Rajput wife was never known as "Jodhaa Bai" during the Mughal period. According to Professor Shirin Moosvi, a historian of Aligarh Muslim University , neither the Akbarnama a biography of Akbar commissioned by Akbar himself , nor any historical text from the period refer to her as Jodhaa Bai.
In the Tuzk-e-Jahangiri auto biography of Jahangir, c. According to Ahmad, Tod was not a professional historian.
Ashutosh Gowarikar 's reaction was:. While making the film I did my best to go by the book. I consulted the best historians and went through the most rigorous research.
There are different names used for Akbar's wife, Jodhaa being one of them. In fact, there's a disclaimer about the Rajput queen's name at the beginning of the film.
But to see that, the protesters have to see the film. The portrayal of ethnic Rajput people in the movie was criticised by members of the Rajput community as misleading, politically motivated historical revisionism that minimised Rajput history.
However, the producer went to the Supreme Court to challenge it. The court scrapped the Uttar Pradesh government ban as well as similar orders by authorities in Dehradun , Uttarakhand and Ambala , Sonepat and Rewari , Haryana.
Anil Sinanan of The Times gave the film four out of five stars, stating, "Oscar-nominated Lagaan director Ashutosh Gowariker's sumptuous period epic has all the ingredients of a Cecil B.
DeMille entertainer [ Privileged that such a film had been made, and privileged that it had been made in our times so we can form our own opinions of the film rather than adopt the opinions of previous generations, which we invariably must when looking at older classics.
The film talks about a love that transcends all barriers — gender, religion, culture — and dreams of an India where secularism and tolerance are the twin towers that should never ever crumble.
And Akbar and Jodhaa are the alluring exponents of this dream. Gowariker makes a clear point. As Akbar says, 'Respect for each other's religion will enrich Hindustan.
The score and soundtrack of the film was composed by A. Rahman , making his third collaboration with Ashutosh Gowariker after Lagaan , and Swades.
The official soundtrack contains five songs and two instrumentals. The former was written by Kashif while the latter was by Javed Akthar himself.
The music was released on 9 January and the CDs were out by 18 January. Aakash Gandhi of Planet Bollywood reviewed the album, saying, " Jodhaa Akbar compositions are magical, spectacular, invigorating and above all a wholesome experience you rarely get in soundtracks these days.
When you cannot pick a favourite you know the benchmark has been set consistently high. Indian music has just added another soundtrack to its eternal treasure.
The film emerged out as the biggest winner in many music awards. Ya Jaane Na , composed by Rahman himself. The soundtrack was also nominated in numerous categories.
From Wikipedia, the free encyclopedia. Theatrical release poster. Release date. Running time. Main article: List of accolades received by Jodhaa Akbar.
This was because he changed it continuously so as to accommodate production demands and constraints. The Financial Express. Retrieved 1 August Retrieved 9 January Retrieved 3 October Archived from the original on 5 February Retrieved 4 February Bollywood Hungama.
Archived from the original on 8 July Retrieved 31 January Internet Movie Database. While this may be considered laudable feminist politics [ Archived from the original on 8 December Retrieved 8 December Indo-Asian News Service.
Archived from the original on 21 December Retrieved 21 December Jha, Subhash 12 February Archived from the original on 11 December Retrieved 11 December Shah, Kunal 22 January Mumbai Mirror.
Archived from the original on 10 December Retrieved 9 December Archived from the original on 9 December Pais, Arthur 29 January The Times of India.
Hindustan Times. Daily News and Analysis. India Today. The New York Times. Archived from the original on 13 March Retrieved 10 December Press Trust of India.
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Nach meinem ist es das sehr interessante Thema. Ich biete Ihnen es an, hier oder in PM zu besprechen.