Hobbit 3 Extended Edition Inhaltsverzeichnis
Bilbo Beutlin, Thorin Eichenschild und die Gemeinschaft der Zwerge sind am Ende ihres Abenteuers angelangt. Die Zwerge von Erebor haben die Schätze ihres Heimatlandes zurückgefordert, müssen aber die Konsequenzen dafür tragen, dass sie den. isotopes-conference.eu - Kaufen Sie Der Hobbit 3 - Die Schlacht der fünf Heere - Extended Edition (+ 2 Bonus-Blu-rays) günstig ein. Qualifizierte Bestellungen werden. isotopes-conference.eu - Kaufen Sie Der Hobbit 3 - Die Schlacht der fünf Heere - Extended Edition günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Wir haben uns die 20 Minuten längere Extended Edition von DER HOBBIT: DIE SCHLACHT DER FÜNF HEERE ganz genau angeschaut und. Heute ist in den USA die Extended Edition von THE HOBBIT: THE BATTLE OF THE FIVE ARMIES in einigen Kinos gezeigt worden. Der Hobbit: Die Schlacht der Fünf Heere (Originaltitel: The Hobbit: The Battle of the Five 1 Handlung; 2 Unterschiede zum Buch; 3 Hintergrund; 4 Filmmusik Da Aragorn in der Extended Edition von Die zwei Türme angibt, 87 Jahre alt zu. Der Hobbit 3 - Die Schlacht der fünf Heere - Extended Edition (+ 2 Bonus-Blu-rays) (inkl. Digital Ultraviolet) von Peter Jackson Blu-ray bei isotopes-conference.eu
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Please try again later. Verified Purchase. They messed up the storyline, and tried to make everything cuter.
It was a fail. Fantastic cast and production values, but I failed to be pulled into the story. They added dialogue and exposition where none was needed, turning into a Disneyfied version of a terrific story.
My impression then was that Peter Jackson had kind of gotten stuck in a groove and was reluctant to let it go. Since that time, I have learned of some disturbing information which makes any further rewatching of the Hobbit impossible for me, namely, the reports of animal cruelty which occurred during filming.
As I understand it 27 animals died during the shoot. So much for the "no animals were harmed" disclaimer. One pony broke its back and was not found until the following day when it was blessedly dispatched.
Another horse drowned and was found with its face in the river. Due to overcrowding in the horse pens, several horses were lacerated on sharp wire resulting in torn flesh and exposed muscles.
Chickens were mauled by unsupervised dogs. Jackson was advised of these occurrences but denied them and did nothing. I guess fancy special effects had become more important than care of the animals who made him so much money.
I am sure that not everyone would decline to watch a movie due to unpleasant events behind the scenes, but all I could think about was animal suffering.
Best when it follows the story. More than seventy years ago, J. Tolkien wrote a story called "The Hobbit", in which the title character somehow gets mixed up with a bunch of dwarves to reclaim missing treasure.
The success and acclaim of this book led to the highly acclaimed "Lord of the Rings" trilogy, which years later was transformed into one of the greatest movie trilogies of all time by Peter Jackson.
A more ideal approach would have been to film the book as a two-part series, not a trilogy. On a technical level there's nothing majorly wrong with Jackson's direction; the casting and performances are both excellent, the cinematography breathtaking as always, and the visual effects, for the most part, are as impressive as ever.
The problem is that the movies are just too unnecessarily long. In fact, it takes a whopping 45 minutes to get Bilbo Baggins Martin Freeman out of his cozy home in Hobbiton to go out on his fateful quest with the eponymous wizard Gandalf Ian MacKellen , as well as a pack of dwarves led by a brooding fellow named Thorin Oakenshield Richard Armitage.
En route, we first see a lengthy, ten-minute prologue in which the old Bilbo played with a wavering sincerity by Ian Holm begins writing his book about his adventures, starting with the downfall of the Dwarven city of Erebor.
The subsequent half hour is basically the first chapter, in which Bilbo's quiet humble life is turned upside down when the dwarves intrude into his household and take over his pantry in no time.
In all fairness, the tone of Tolkien's HOBBIT is more of a children's story and what's on the screen is more or less true to the original, but it also requires a subjective approach.
Fans familiar with the book will get the gist of it and more or less be fine, but for more antsy audience members, it does require patience to sit through this scene.
Extending scenes like this aren't the only aesthetic choices that Jackson chooses to approach when tackling the story to screen.
For instance, we meet the wizard Radagast, an eccentric fellow who cares for animals and goes around riding on a massive "rabbit" sleigh. There is also a shady backstory involving a conflict between Thorin against a nasty-looking orc named Azgog a mostly computer-animated villain with a vicious grin and a prosthetic arm.
Finally we get a surprisingly long scene at the Elven city of Rivendell in which Gandalf converses with his colleague, the ill-fated sorcerer Saruman Christopher Lee about the potential return of Sauron.
The sequence where Bilbo and company are captured by giant trolls does justice to the book. In the second half, we get a scarifying roller-coaster style confrontation with two stone giants a scene which nailed me to my seat to a visit to the infamous Goblin City, ruled by a bloated fellow called the Goblin King.
But the film's real highlight is the "Riddles in the Dark" sequence, a cunningly choreographed, thrilling confrontation in which Bilbo must outsmart the twisted Gollum again brought to life by the remarkable motion capture and hoarse voice of Andy Serkis.
Despite the occasional lull in the story, though, I honestly wasn't necessarily bored at all by any of this; I have quite enjoyed Tolkien's stories and I could spend hour after hour in the fantasy world that Jackson still manages to fully realize on the screen, thanks to the luscious sets and aforementioned cinematography.
Freeman was practically born to play Bilbo, embuing the character's neurotic reluctance with a charm that easily makes even the slowest parts of the film tolerable to sit through.
Armitage mostly portrays Thorin as a grumpy, dour fellow who doubts his new charge, but he does so with hints of a tortured personality. Sylvestor McCoy is also quite good as the eccentric Radagast, and the dwarves are all well cast and fitting for their roles.
It's a bold, daring move, and in many ways it works quite well for this movie; Middle Earth looks spectacular and rich in its depth with the 3D format, but other times it gives the feel of a super-polished real-life documentary on TV rather than a film.
Having said that, though, the film plays well either way so aside from the frame rate length. But it's still well-made and executed with a style that only Jackson can do.
Having said that, though, I still quite enjoyed the movie and if nothing else, it left me eager for the next chapter. Start Here.
Here begins the tale of the finding of the one ring of power. Blah, blah, blah Some, it seems are a bit challenged with the idea of lengthening a film feature that has already expanded a single book into three feature length films.
To begin with, Peter Jackson's movies are not J. Tolkien's books. Telling the stories on film involves a great deal more than simply looking gorgeous.
Now that all three Hobbit movies are released, it's appropriate I believe, to reflect on how the most altered element of all was converting over the narrator's P.
The narrator of the book is the Hobbit himself. But the movie presumes to display the events which generated the narrative.
By the time the last movie rolls out, Bilbo's narrative conversation with himself doesn't exist any longer.
The illustrations are completed. But that doesn't mean Tolkien's word crafting has been discarded. It was the Hobbit who became "fed up with dwarves" after they reclaimed Erebor -- The Lonely Mountain, in the book.
Likewise, the hoarding instinct evinced by Thorin when their home is reclaimed was exactly what motivated Bilbo's narrative ire and desertion to the elven camp with the Arkenstone.
On maps and in the calendars that site later became known as the Trollshaws. Understandably, it's the previously developed movie character Gandalf from LOTR movies who now must script for us a tid-bit at a time, Jackson's character sketch of Durin's folk.
Dwarvish character profiles of the novel were un-polished, with but marginal history that Tolkien hadn't yet developed. It was Bilbo who grew unsympathetic with them in the end, with their appalling disdain for the suffering of Laketown at the fire and claw of the dragon's wrath awakened by the dwarves.
The movies alternatively have generated a company of other characters to narrate the dwarvish background, and dischord with elves that went un-elaborated with the book.
Unexpected Journey presents us with the principle hurdle the screen writers must overcome. They're tasked with a rather bleak assessment, delivered in deadpan sarcasm by the Goblin King, as Thorin and his captured company are introduced: "But wait", he says to Thorin "you don't have a mountain", and "you're not a king, which makes you NOBODY really.
Now Peter Jackson can show us that Thorin and company can still fight for something. Now they have motivation.
Pretty much from the moment in Imladris, when the White Council gathers, these dwarves have stopped being Tolkien's original literary creatures and have begun to develop into the maturity of his later developed history of Durin's folk.
This extended edition both introduces Silmaril-like "jewels of pure star-light", as the bone of contention between dwarves and elves of the dark days, but also plays this out as narrative commentary with Bilbo Baggain's dis-embodied voice commenting on how sad it is when alliances fall and friendships break under the spell of avarice.
To some, it won't matter how much more mature a Hobbit story has evolved. But to others, we are refreshed through having spent time with the skillful story teller.
See all reviews. Top reviews from other countries. Very good film, definitely recommend. I was prepared to be critical, having heard it was overbloated, but I found it an enjoyable romp through the introductory part of the story, despite the large amount of violence somehow it doesn't have the same impact on the page but the medium of film seems to find it easier to dwell on and to put it 'in your face'.
Enjoyed the introductory scenes with the dwarves invading Bilbo's comfortable house and staid existence.
Particularly appreciated Martin Freeman's depiction of the prematurely retired hobbit at the beginning, his facial expressions throughout, and his sympathetic character depiction overall.
Found the role of Radagast to be somewhat overextended - trying to remember back to childhood reading of the Hobbit, I thought he appeared just as a name offstage.
Otherwise no 'longueurs' for me. Hobbit: The Trilogy Extended Edition One of the most magical epic adventures in motion picture history, Peter Jackson adapted the cinematic trilogy from the enduringly beloved novel, T he Hobbit, by J.
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Top reviews from the United States. There was a problem filtering reviews right now. Please try again later. Verified Purchase. I saw all three movies in theaters and thought they were enjoyable but no where near the epic level of Lord of the Rings.
Let me tell you, the extended versions are a joy and are much better than the theatrical versions. They each add between minutes extra of footage per movie and help the story flow better and feel more complete.
I love the appendix behind the scenes discs as well. All in all, I'm very pleased! I was really excited to receive this extended edition trilogy in the mail, but when it arrived I was very bummed.
Also, only one of the movies came with a digital copy. Only the 3rd one Just never watch the first 2 Hobbits but watch the third?! Having thoroughly enjoyed the extended editions of Jackson's earlier trilogy I bought the extended version of the Hobbit with high expectations.
Though I found it to be not quite as rich as the earlier it did have some good additions: the opening Shire, Goblin Town, and Rivendell sequences from the first movie were priceless, the additional Mirkwood and Elven kingdom stuff from the second, and the dialogue between Beorn and Gandalf at the outset was so critical I found myself wondering how it could have been deleted from the original.
I also found the extended battle sequences from the third movie quite indispensable. All in all, the extended versions are superior to the theatrical even before getting to the gajillion hours of extras.
Being a Tolkien enthusiast I am well pleased with the end result and certainly willing to forgive the plethora of liberties that Jackson takes with the literary work because it usually conveys better to the screen.
I imagine he's had enough middle earth to last a lifetime but can only hope he sees the explosive potential of the Silmarillion material to do it again!
Note: I have not yet viewed the special features. Minor spoiler included. In many ways, it does, because this is a prequel that is essentially a long flashback to Bilbo's adventures only slightly alluded to in the latter trilogy, and as a result, there are nods to it that will only make sense if you view The Lord Of The Rings first not to mention that there are also two bookend scenes, one each, at the beginning of The Hobbit: An Unexpected Journey, and at the end of The Hobbit: The Battle Of The Five Armies.
But in other ways, since you're probably so familiar with the more famous trilogy, this one might feel like a let-down. But that is all a matter of personal taste.
The first two Extended Versions are rated PG, but the third one is rated R for Some Violence during a chase scene on ice and on the main field of battle during the climax.
It's not Scarface-level graphic, but for those of you with weak stomachs, you have been cautioned. There is plenty of violence in the trilogy, which aside from what I have mentioned in regards to the third installment, is not graphic, there are a few mild sexual innuendoes, and a few brief profanities during the third installment, and no sexual content characters in bed, etc throughout the trilogy.
It will make for a far richer experience. I didn't really want the extended versions of these films but now that I've watched them a couple times I'm glad I got them.
Everyone in my family agrees that the additional scenes improve the understanding of the story. I have nothing against the movies. I actually enjoyed them and it was a nice addition to the Tolkien anthology.
I was disappointed when I got this and it came in a flimsy, paper sleeve holding them altogether. Also, there were no digital copies coming with the movies.
See all reviews. Top reviews from other countries. Translate all reviews to English. Disappointed to receive the boxset with damage to one of the dvd placement holders inside the first film as well as damage to most of the corners of the outer slip case.
Report abuse. Translate review to English. It was the Hobbit trilogy The seller was quick to respond to get back to me when asked about movie.
Was two days late, but considering what the world is dealing with I wasn't to upset. Would recommend buying from seller. One person found this helpful.
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The Hobbit - The Battle Of The Five Armies - Extended Edition - Guardians Of The Three (Part 1) Rip off! Would recommend buying from seller. Limited Edition. Secure transaction. It might be a silly question and the thread might Wallace Und Gromit dead, but… Does the cut include scene from the extended edition? Dwarvish character profiles of the novel were un-polished, with but marginal history that Tolkien hadn't yet developed. You are commenting using your Facebook account. My original plan for this fan adaptation was Filme Mit Außerirdischen make the film as easy to view as Supernatural Staffel 1 Download, something that proved exceedingly difficult over the years. Deswegen ziehe ich einen Stern ab. Um Kommentare Trance – Gefährliche Erinnerung schreiben, stelle bitte sicher, dass JavaScript und Cookies aktiviert sind, und lade Sie die Seite neu. Sehr guter SB. Mal so vom Logischem Standpunkt aus DB-Helfer 8 Laufzeit Minuten. Der Zweikampf der beiden dauert zudem einige Sekunden länger Der Hundertste Affe in der Kinofassung. Bei dieser neuen Szene handelt es sich vermutlich um die längste und aufwändigste neue Szene in der Extended Edition. Zumindest liest sich der Bericht so, und das habe ich nicht nur hier auf Schnittberichte gelesen, als mache der Extended Cut Teil 3 wirklich zu einem brauchbaren Film, auch wenn immer wieder die 10 Minuten angesprochen wurden, die es mehr zu sehen geben sollte.However, you'll more than likely have to wait until next week for them to go live again, but we'll keep you updated.
These sets have been rumored for much of , and are likely popping up in connection with the growing crop of new Lord of the Rings goodness just over the horizon.
Amazon also has its upcoming prequel TV series preceding the prologue to Fellowship of the Ring reportedly set in the same continuity as the films.
Titled The Lord of the Rings: Gollum, the game promises to be a stealthy adventure focusing on one of that world's sneakiest creatures.
In the game, you'll reportedly start in a story parallel with Frodo, but on a different side of Middle-earth completely.
Got a news tip or want to contact us directly? Email news gamespot. Join the conversation There are 3 comments about this story.
Load Comments 3. More than seventy years ago, J. Tolkien wrote a story called "The Hobbit", in which the title character somehow gets mixed up with a bunch of dwarves to reclaim missing treasure.
The success and acclaim of this book led to the highly acclaimed "Lord of the Rings" trilogy, which years later was transformed into one of the greatest movie trilogies of all time by Peter Jackson.
A more ideal approach would have been to film the book as a two-part series, not a trilogy. On a technical level there's nothing majorly wrong with Jackson's direction; the casting and performances are both excellent, the cinematography breathtaking as always, and the visual effects, for the most part, are as impressive as ever.
The problem is that the movies are just too unnecessarily long. In fact, it takes a whopping 45 minutes to get Bilbo Baggins Martin Freeman out of his cozy home in Hobbiton to go out on his fateful quest with the eponymous wizard Gandalf Ian MacKellen , as well as a pack of dwarves led by a brooding fellow named Thorin Oakenshield Richard Armitage.
En route, we first see a lengthy, ten-minute prologue in which the old Bilbo played with a wavering sincerity by Ian Holm begins writing his book about his adventures, starting with the downfall of the Dwarven city of Erebor.
The subsequent half hour is basically the first chapter, in which Bilbo's quiet humble life is turned upside down when the dwarves intrude into his household and take over his pantry in no time.
In all fairness, the tone of Tolkien's HOBBIT is more of a children's story and what's on the screen is more or less true to the original, but it also requires a subjective approach.
Fans familiar with the book will get the gist of it and more or less be fine, but for more antsy audience members, it does require patience to sit through this scene.
Extending scenes like this aren't the only aesthetic choices that Jackson chooses to approach when tackling the story to screen.
For instance, we meet the wizard Radagast, an eccentric fellow who cares for animals and goes around riding on a massive "rabbit" sleigh.
There is also a shady backstory involving a conflict between Thorin against a nasty-looking orc named Azgog a mostly computer-animated villain with a vicious grin and a prosthetic arm.
Finally we get a surprisingly long scene at the Elven city of Rivendell in which Gandalf converses with his colleague, the ill-fated sorcerer Saruman Christopher Lee about the potential return of Sauron.
The sequence where Bilbo and company are captured by giant trolls does justice to the book. In the second half, we get a scarifying roller-coaster style confrontation with two stone giants a scene which nailed me to my seat to a visit to the infamous Goblin City, ruled by a bloated fellow called the Goblin King.
But the film's real highlight is the "Riddles in the Dark" sequence, a cunningly choreographed, thrilling confrontation in which Bilbo must outsmart the twisted Gollum again brought to life by the remarkable motion capture and hoarse voice of Andy Serkis.
Despite the occasional lull in the story, though, I honestly wasn't necessarily bored at all by any of this; I have quite enjoyed Tolkien's stories and I could spend hour after hour in the fantasy world that Jackson still manages to fully realize on the screen, thanks to the luscious sets and aforementioned cinematography.
Freeman was practically born to play Bilbo, embuing the character's neurotic reluctance with a charm that easily makes even the slowest parts of the film tolerable to sit through.
Armitage mostly portrays Thorin as a grumpy, dour fellow who doubts his new charge, but he does so with hints of a tortured personality.
Sylvestor McCoy is also quite good as the eccentric Radagast, and the dwarves are all well cast and fitting for their roles.
It's a bold, daring move, and in many ways it works quite well for this movie; Middle Earth looks spectacular and rich in its depth with the 3D format, but other times it gives the feel of a super-polished real-life documentary on TV rather than a film.
Having said that, though, the film plays well either way so aside from the frame rate length. But it's still well-made and executed with a style that only Jackson can do.
Having said that, though, I still quite enjoyed the movie and if nothing else, it left me eager for the next chapter.
Start Here. Here begins the tale of the finding of the one ring of power. Blah, blah, blah Some, it seems are a bit challenged with the idea of lengthening a film feature that has already expanded a single book into three feature length films.
To begin with, Peter Jackson's movies are not J. Tolkien's books. Telling the stories on film involves a great deal more than simply looking gorgeous.
Now that all three Hobbit movies are released, it's appropriate I believe, to reflect on how the most altered element of all was converting over the narrator's P.
The narrator of the book is the Hobbit himself. But the movie presumes to display the events which generated the narrative. By the time the last movie rolls out, Bilbo's narrative conversation with himself doesn't exist any longer.
The illustrations are completed. But that doesn't mean Tolkien's word crafting has been discarded. It was the Hobbit who became "fed up with dwarves" after they reclaimed Erebor -- The Lonely Mountain, in the book.
Likewise, the hoarding instinct evinced by Thorin when their home is reclaimed was exactly what motivated Bilbo's narrative ire and desertion to the elven camp with the Arkenstone.
On maps and in the calendars that site later became known as the Trollshaws. Understandably, it's the previously developed movie character Gandalf from LOTR movies who now must script for us a tid-bit at a time, Jackson's character sketch of Durin's folk.
Dwarvish character profiles of the novel were un-polished, with but marginal history that Tolkien hadn't yet developed. It was Bilbo who grew unsympathetic with them in the end, with their appalling disdain for the suffering of Laketown at the fire and claw of the dragon's wrath awakened by the dwarves.
The movies alternatively have generated a company of other characters to narrate the dwarvish background, and dischord with elves that went un-elaborated with the book.
Unexpected Journey presents us with the principle hurdle the screen writers must overcome. They're tasked with a rather bleak assessment, delivered in deadpan sarcasm by the Goblin King, as Thorin and his captured company are introduced: "But wait", he says to Thorin "you don't have a mountain", and "you're not a king, which makes you NOBODY really.
Now Peter Jackson can show us that Thorin and company can still fight for something. Now they have motivation. Pretty much from the moment in Imladris, when the White Council gathers, these dwarves have stopped being Tolkien's original literary creatures and have begun to develop into the maturity of his later developed history of Durin's folk.
This extended edition both introduces Silmaril-like "jewels of pure star-light", as the bone of contention between dwarves and elves of the dark days, but also plays this out as narrative commentary with Bilbo Baggain's dis-embodied voice commenting on how sad it is when alliances fall and friendships break under the spell of avarice.
To some, it won't matter how much more mature a Hobbit story has evolved. But to others, we are refreshed through having spent time with the skillful story teller.
See all reviews. Top reviews from other countries. Very good film, definitely recommend. I was prepared to be critical, having heard it was overbloated, but I found it an enjoyable romp through the introductory part of the story, despite the large amount of violence somehow it doesn't have the same impact on the page but the medium of film seems to find it easier to dwell on and to put it 'in your face'.
Enjoyed the introductory scenes with the dwarves invading Bilbo's comfortable house and staid existence.
Particularly appreciated Martin Freeman's depiction of the prematurely retired hobbit at the beginning, his facial expressions throughout, and his sympathetic character depiction overall.
Found the role of Radagast to be somewhat overextended - trying to remember back to childhood reading of the Hobbit, I thought he appeared just as a name offstage.
Otherwise no 'longueurs' for me. One for both Tolkien lovers and those new to the scene. Its a good film, don't get me wrong, and if you liked the Lord of the Rings themes then of course you'll love this film.
The only downside that I find personally is the massive overuse of CGI, and all of the unnecessary additions that weren't in the book, but then again, it is a fantasy film and these can be seen to add to the depth and Peter Jacksons hobbit storyline.
Rip off! Report abuse. A good watch but if I am honest I didn't enjoy it as much as I expected. I enjoyed Lord Of The Rings more.
The special effects were very good - possibly better than L O T R and the battle scenes were excellent. I thought the film - at 2 hours 41 minutes was too long and I didn't like the comic "jokey" manner of the dwarfs - they reminded me of Snow White.
However, overall I was pleased that I had watched it and will consider buying the second edition. One person found this helpful. More items to explore.
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Der Hobbit: Die Schlacht der fünf Heere (Extended Edition) DVD im 5 DVD Version DVD 1 & 2 enthalten den Hauptfilm DVD 3 - 5 die Extras Der FSK Sticker. Der Hobbit III – Die Schlacht der fünf Heere – Extended Edition, was soll ich sagen? Irgendwann vor nicht allzu langer Zeit schrieb ich hier, dass ich mir ein. Der Hobbit: Die Schlacht der fünf Heere - Extended Cut kommt als mache der Extended Cut Teil 3 wirklich zu einem brauchbaren Film, auch. Laufzeit: Minuten "Der Hobbit 3 - Die Schlacht der fünf Heere - Extended Edition" „Der Hobbit: Die Schlacht der Fünf Heere“ bringt die abenteuerliche. Was mich sehr enttäuscht hat, die Filme der 3 Hobbit Teile sind nicht in einem Schuber und in einer Box, sondern die Teile wurden nur in eine schwarze Box eingequetscht. Games Musikvideos. Auch wenn diese neue Szene nicht viel zur Handlung beiträgt, unterstreicht sie noch einmal die eindrucksvolle Urgewalt Smaugs und die Fähigkeiten von Bard. Danach reiten die Zwerge die Elbenarmee mit Kriegsböcken nieder. In Deutschland Der Unterhändler das Resultat aber trotzdem noch mit 12er-Freigabe durch. Nachdem er im letzten Moment eine Schusswunde seines gesamten Hausrats stoppen kann, weil man ihn wegen Teenage Girl langen Abwesenheit für tot erklärt hatte, kehrt Bilbo, gefestigt von den Erfahrungen seines Abenteuers, wieder in sein altes Leben zurück. Bei Tim Burton ok, aber hier?
Ich denke, dass Sie sich irren. Ich kann die Position verteidigen. Schreiben Sie mir in PM, wir werden reden.
Wenden Sie die Aufmerksamkeit nicht!